
Signet ring
Signet ring with religious scene with origin story from 0001650 BCE of Mycenaean California, worn by individuals as a protective amulet. It was rediscovered in excavations from the Getty destruction site in 0002035 CE, where its public exposure stimulated renewed interest in trees as the axis of ecological balance. This discovery catalysed the foundation of the now dominant Ecotopian movement in San Francisco Bay area.

Ecotopic Pagan drawing of a ritual scene
0003465/75 – 0003655 CE
Graphic symbol from previously prohibited archive of ‘Ecotopia’, an extinct Pacific Bay eco-sect known from cult objects with idolatrous images of heathen worship. These pagans worshipped craven images of false gods of Earth, Air, Fire, and Water. Their ungodly symbols were an infection from pre-Christian ‘Minoan’ cults that were popular in Un-American museums before the Uprising.
Figurative tree forest scene
Post impact great permaculture oak
'May there be a place for every voice. May the elements be in balance. May spirit flourish in all beings'.
This unusual knot formation found in Chicxulub petrified forest deposits. Pre-impact forests were renown for their imaginative creativity in capturing impressions of their forest world. This depiction shows female beaked cone trees rooted in the soil, tended by smaller bipedal male drones bred to feed and clean them. Female vocal and pheromone signals controlled the males in their menial tasks. Females mated with most obedient and least intelligent males producing more able drones. The few precious females that were born were carried away to root themselves. Unfortunately, despite the complex harmony of this world, it was not to survive, a stray comet obliterated this form of tree forest.

Coed Coffa Ynys (island memorial trees)
Coed Coffa Ynys or Coeden Momori are unique impressions (bruisings, incisions, etchings, and cameos) made in living trees, found in sacred groves along the eastern coast of Ynys Sili, around the Pysgodyn Cŵn lagoon. We know very little about these dendroglyphs, but they appear as complex and diverse portrayals of hynafiaid (ancestors), departed loved ones, whose spirit is infused into the tree, which acts as a portal to the spiritual homeland.
They are becoming increasingly rare due to a range of social and environmental factors (grazing animals, social media, and intense dust storms), many are barely visible to the naked eye. They are now being removed from their groves to be placed in off world museums for safe keeping, where people can see them. Local people think the trees should still be in the forest, as the best way to preserve coeden momori is of course to grow new ones.
Informed by Starhawk.,1993. The Fifth Sacred Thing. Banta; Koseman, C.M. 2025. All Tomorrows the Myriad Species and Mixed Fortunes of Man. Wilton Square Books London.
